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poster

87

8.5

/16046/

81

/538/

77

/202/

4.1

/853/

100

/16/

93

age 13+

After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.

poster

72

27

7.8

/1409/

62

/22/

77

/20/

Whatever Happened to the Likely Lads? is a British sitcom which was broadcast between 9 January 1973 and 9 April 1974 on BBC1. It was the colour sequel to the mid-1960s hit The Likely Lads. It was created and written, as was its predecessor, by Dick Clement and Ian La Frenais. There were 26 television episodes over two series; and a subsequent 45-minute Christmas special was aired on 24 December 1974. The cast were reunited in 1975 for a BBC radio adaptation of series 1, transmitted on Radio 4 from July to October that year. In 1976, a feature film spin-off was made. Around the time of its release, however, Rodney Bewes and James Bolam fell out over a misunderstanding involving the press and have not spoken since. This long-suspected situation was finally confirmed by Bewes while promoting his autobiography in 2005. Unlike Bewes, Bolam is consistently reluctant to talk about the show, and has vetoed any attempt to revive his character.

poster

?

10

/1/

Coppers End is a police station where the policemen work very hard to avoid work. A crime would involve them filling in forms, making out reports and, heaven forbid, giving evidence in court.

poster

61

?

8.2

/347/

35

/6/

68

/4/

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

poster

44

?

7.9

/128/

10

/4/

After his father's will stipulates he must marry Bella Wilfer to inherit his fortune, John Harmon fakes his death to avoid the marriage and the threats on his life. He returns as John Rokesmith and becomes the secretary for the Boffins, who inherit Harmon's estate following his alleged death.

poster

50

?

7.6

/129/

10

/4/

65

/3/

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

poster

?

7.1

/60/

10

/3/

72

/4/

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

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