mdblist.com logo The Best Samaria Graham TV Shows. Go to The Best Movies


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poster
74
7.8
/50262/
76
/1663/
74
/661/
69
/38/
cc age 14+

Law & Order (1990)
In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.
poster
Paramount+ Amazon Channel
65
6.6
/40333/
68
/1172/
73
/797/
53
/13/
cc age 14+

Beverly Hills, 90210 (1990)
Follow the lives of a group of teenagers living in the upscale, star-studded community of Beverly Hills, California and attending the fictitious West Beverly Hills High School and, subsequently, the fictitious California University after graduation.
poster
Netflix
72
60
7.4
/5489/
70
/180/
73
/43/
cc age 15+

Girlfriends (2000)
The series revolves around the friendship of four African-American women in different phases of their lives. They explore the many trials and tribulations that most women face today such as relationships, family, friends and other current issues that will interest most women. Whether it’s getting over a divorce, finding a career, or looking for true love, Girlfriends delivers along with comedy and wit.
poster
71
60
6.9
/5091/
69
/106/
72
/77/
77
/22/
cc age 14+

Chicago Hope (1994)
Chicago Hope is an American medical drama television series, created by David E. Kelley. It ran on CBS from September 18, 1994, to May 4, 2000. The series is set in a fictional private charity hospital in Chicago, Illinois.
poster
73
58
7.3
/6121/
74
/129/
72
/65/
cc age 15+

The Wayans Bros. (1995)
Brothers Shawn and Marlon are on the lookout for money and success, though the two are complete opposites. Shawn is responsible and conservative while Marlon is free-spirited and liberal. They are not immune to sibling rivalry, but frequently enjoy being each other's partner in crime.
poster
Netflix
66
55
6.1
/8828/
68
/162/
71
/177/
cc age 8+

Touched by an Angel (1994)
Monica, an angel, is tasked with bringing guidance and messages from God to various people who are at a crossroads in their lives.
poster
62
54
6.1
/10048/
66
/215/
60
/108/
cc age 10+

Blossom (1990)
Blossom Russo is a highly intelligent and spunky teenager. The youngest of three, she lives with her divorced musician father, Nick, eldest brother and recovering substance abuser Anthony, and decidedly not-so-bright middle brother Joey. Along for the ride is Blossom's ditzy best friend, Six, who sometimes shows flashes of great perception.
poster
69
49
6.9
/3429/
68
/86/
71
/103/

Martial Law (1998)
Sammo Law spins, kicks, and chops his way through crime as a one-man police force in Los Angeles. He's a tough law enforcer who comes to the U.S. in search of a former friend and protegée — and gets drafted as part of the LAPD.
poster
67
46
6.5
/2909/
66
/89/
70
/66/

The Sentinel (1996)
The Sentinel is a Canadian-produced television series. In the jungles of peru, the fight for survival heightened his senses. Now, Detective Jim Ellison is a sentinel in the fight for justice. Anthropologist Blair Sandburg works side by side with Jim, helping him develop these senses.
poster
64
33
6.8
/2563/
61
/36/
65
/24/

Providence (1999)
Providence is an American television drama series.
poster
?
6.9
/258/
10
/1/

Shake, Rattle and Roll: An American Love Story (1991)
A group of high school friends starts a rock band during the 1950's.
poster
54
?
5.9
/202/
30
/3/
75
/2/

Rebel Highway (1994)
Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.


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