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poster

?

10

/1/

The struggle of a rookie detective, portrayed with a cheerful and comical touch. Takeshi Hayano originally belonged to the Traffic Division but was transferred to the First Investigative Division of Daimon Police Station as a rookie detective. His first case is a drug-related murder, during which he ends up missing a "key witness" pursued by his senior colleagues in the First Investigative Division. Feeling responsible, Hayano becomes depressed. Investigations, daily life, and relationships. Each episode features a variety of cases, including robbery, arson, disguise, kidnapping, fraud, and split personalities. Hayano investigates the cases together with his senior colleagues in the First Investigative Division (Chief Ushiota, Chief Detective Sugaya, Detective Yazu, Detective Maehara, Detective Hazama, etc.).

poster

?

10

/1/

80

/1/

Monjiro was born into a poor farm family in Mikazuki Village, Nitta County, Ueshu, and abandoned his hometown when he was 10 years old. He has been traveling aimlessly with a long toothpick in his mouth. Monjiro avoided getting involved in anything, but wherever he went, he ended up getting involved in incidents

poster

?

10

/2/

This light-hearted comedy tells the story of a young man who chooses to become a teacher and struggles to live and grow in the field of education.

poster

?

7.4

/8/

10

/2/

70

/1/

Ex-sword teacher Ihei Misawa is a skilled swordsman but because of his kind and judicious heart, he never fails to get caught up in trouble and therefore is unable to obtain status and success. But his wife Tayo understands him and loves him completely, always remaining by his side.

poster

?

A TV drama consisting of thirteen episodes about the trans-China/Japan collaboration of revolutionaries in the early twentieth century. It was Nagisa Oshima’s rare attempt to direct a TV drama in a social atmosphere in which Japan was embracing postwar prosperity as well as the effects of permeating mass media. Making an effort to reach out to the mass audience through a seemingly conventional method of filmic representation, Dawn of Asia takes up the epic of trans-Asiatic solidarity while challenging nationalism on both sides.

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