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poster
Amazon Prime Video
82
8.1
/26911/
77
/1166/
74
/239/
95
/81/
91
76
/35/
cc age 17+

Mozart in the Jungle (2014)
In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.
poster
Netflix
77
28
7.4
/521/
74
/56/
84
/25/

SPEC ~ First Blood (2010)
An eccentric genius and a demoted special forces officer team up in Tokyo's Unidentified Crimes Unit to tackle criminals with supernatural abilities.
poster
Amazon Prime Video
71
25
7.1
/1360/
65
/29/
78
/18/
3.6
/2327/

Penance (2012)
The murder of a young girl shocks a small Japanese village, and the victim's mother is distraught when the classmates her daughter was playing with all claim not to remember the identity of the killer. In her anger, she puts a curse on them.
poster
?
75
/2/
83
/3/

Anpan (2025)
In wartime Japan, spirited Nobu transforms from a militarist schoolgirl into Kochi’s first female reporter, as she and childhood friend Takashi endure personal loss and struggle to find their own truths amid the upheaval of the Showa era.
poster
?
10
/1/
50
/1/

Aoi Yū × Yottsu no Uso Camouflage (2008)
The series consists of four 3-episode chapters, each handled by a different director. The directors were given freedom in their stories, but they all share a common theme: lies. --Tokyograph
poster
?
5.9
/76/
10
/2/

Kaidan Horror Classics (2010)
Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.
poster
70
?
7.6
/507/
65
/19/
71
/7/
3.7
/362/

Going My Home (2012)
Ryota, a timid salaryman who has difficulties fitting in at home and work has his average life changed after his estranged father falls ill. Along with his wife Sae and their only child Moe, he travels to his father's country town, where he begins to uncover his father's mysterious past spent searching for a mythical creature.
poster
68
?
7.5
/144/
66
/12/
64
/9/

Bread and Soup and Cat Weather (2013)
Akiko lives with her mother, but suddenly her mother passes away. Since then she quits her editing job and takes over her mother's small restaurant. At the restaurant there's only two items on the menu: sandwich and soup.
poster
?
7.2
/34/
60
/7/
77
/3/

Ordinary Miracles (2009)
One day, a middle-aged man, Fujimoto Makoto, is standing on a train platform, about to jump in front of a train. Nakashiro Kana and Tasaki Shota both happen to be on the same platform, and sensing what is about to happen, they quickly pull him back to safety. There's a reason why Kana and Shota realized Makoto's intentions, they both have the kind of emotional scars that can't be put into words. Even after so much pain, through a series of e-mails, they've become attracted to one another and slowly learn to open up their hearts once again.


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