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poster
65
14
7.1
/503/
58
/17/
67
/15/

The Agatha Christie Hour (1982)
This ten episode program was based on ten short stories written by Agatha Christie but with wide-ranging themes. Some were romances, some had supernatural themes and a couple were adventures. The common link was that all came from the talented pen of Agatha Christie, all were entertaining and each drama was carefully crafted and well cast with many of Britain's best known actors of the time represented.
poster
54
?
8.1
/165/
27
/5/
55
/2/

Malice Aforethought (1979)
For ten years, Julia Bickleigh has despised and bullied her husband. For ten years Dr Bickleigh has dreamed of romance ... and escape.
poster
?
7.6
/90/
24
/5/
55
/2/

New Scotland Yard (1972)
New Scotland Yard is a police drama series produced by London Weekend Television for the ITV network between 1972 and 1974. It features the activities of two officers from the Criminal Investigations Department in the Metropolitan Police force headquarters at New Scotland Yard, as they dealt with the assorted villains of the day. The first three series ran from 1972 to 1973 and starred John Woodvine as Det. Chief Supt. Kingdom and John Carlisle as Det. Sgt. Ward. But the series, scheduled on a Saturday night, failed to match the ratings of its more glamorous midweek sister programme, Special Branch. The programme was resurrected for a fourth series in 1974, with an all-new cast headed by Michael Turner as Det. Chief Supt. Clay and Clive Francis as Det. Sgt. Dexter LWT were considered to have broken the rules of Saturday night broadcasting by showing a tough police drama in place of entertainment, but it was an inspiration for The Sweeney. Dennis Waterman, who went on to play a lead role in The Sweeney, appeared in the earlier series. There were several television series about Scotland Yard during the 1950s, the longest-running being Scotland Yard on the American Broadcasting Company from 1957-1958.
poster
Amazon Prime Video
49
?
8.0
/212/
10
/5/
60
/3/

Flickers (1980)
Arnie Cole (Hoskins) and his wife Maud (de la Tour) are an odd couple, having entered into the state of matrimony for purely practical reasons. However, their marriage of convenience gives way to genuine partnership as Maud becomes caught up in Arnie's ambitions to start his own film production company.


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