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poster
?
10
/1/

My Dear Children, Thank You (1979)
After the father, Abdo, passes sixty, he retires from his job. He starts discovering new things about his four children, while his children realize that they've drifted away from their father, and that they'll always need him like he needs them.
poster
?
10
/1/

ألف ليلة وليلة: سالم وغانم (2005)
N/A
poster
?
10
/1/

Men at Sunset (1978)
N/A
poster
?
10
/1/

Al-Mashrabiya (1978)
N/A
poster
?
10
/1/

رحلة هادئة (1977)
N/A
poster
?
10
/1/

اللعبة (1981)
N/A
poster
?
10
/2/

Captain Gouda (1986)
The events of the series revolve around a dramatic framework about a physical education teacher who moves to work in a remote area of ​​the Egyptian countryside, where education is not considered a priority or sport in general, and he tries to advance the children of the village and work to adapt to the new environment
poster
?
10
/2/
90
/1/

محمد رسول الله (1980)
N/A
poster
?
10
/1/

بريء في ورطة (1997)
N/A
poster
?
10
/1/

Years of Misery and Love (1998)
Munira falls in love with Sayed who works as a driver for her family. Her family forces her to marry someone else, and Sayed marries his cousin, Amina, who gives him money and he becomes a businessman. He divorces Amina and meets a woman whose family can help him with his projects.
poster
?
7.5
/58/
45
/2/

The People of the Askar Hamlet (2003)
The series takes place in the Askar hamlet between two families, the Ouf family has the land and history, while the Shalaby family work as mercenaries and used illegal methods to create false history for themselves. Will they succeed or roots and origins can't be forged?
poster
?
10
/2/

Seyam Seyam (1980)
Fasting is not all fasting, this is what the series explains through Professor Siam, who modifies every day a wrong behavior of his behaviors associated with fasting and complement to it as anom, from which we get to know the value of fasting and the divine wisdom of its imposition and determine its time.
poster
?
10
/1/

Not One Thousand and One Nights (2010)
A different take on the classic One Thousand and One Nights, where Scheherazade has a recurring dream that a soothsayer interprets as a sign that she only has two days left with her husband, before she meets the same fate as the women before her. Scheherazade comes up with a plot to escape that fate.
poster
?
10
/2/

The wife is first to know (1987)
The story of the series revolves around four friends who decide to rent an apartment to make it an import and export company but without the knowledge of their wives, and then appoint a secretary to work with them in the company, so that the wives get to know each other, and they know the existence of the apartment and think that their husbands use it to betray them, to escalate events.
poster
?
6.0
/25/
10
/1/

Palces in the heart (2005)
An Egyptian lawyer arrives in the United States and tells the story of his life and his defense of a doctor accused of killing her husband, Eman enters prison in the United States and meets another Egyptian prisoner, Maggie, Maggie dies inside the prison after a plotting prisoner to get rid of Iman and Maggie, Maggie returns to the United States in search of her missing son.
poster
71
?
7.0
/132/
70
/5/
75
/2/

Stray Light (1998)
The role of the story about the class struggle between the old feudal class represented in the family of Al-'Azayzeh and the class of new owners represented in the family of Al-Sawalim who were previously employed.
poster
?
7.6
/99/
35
/2/
77
/3/

The Wedge (1996)
The series revolves around the family of Fatima Ta'alba (Huda Sultan) and her children. Her eldest son is Hajj Darwish (Youssef Shaaban). The idea of ​​the series revolves around the framework of an Egyptian family, the mother, Fatima Talaba, who raises her children in her own style, and her main goal is to form a large, interconnected and undisjointed family, and to secure the family's future by buying agricultural lands for them to become property owners. Hajj Darwish is the head of the family and is married to Maryam (Fadia Abdel-Ghani), his cousin. Fatima Talabeh controls all the family’s decisions to the extent that she chooses the wives of her children without taking their opinion and marries them. The mother controls the wives of her children and the entire house, including those in it.
poster
?

الشوارع الخلفية (1979)
N/A
poster
?

زيارة ودية (1979)
N/A
poster
?

Bardis (1985)
N/A


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